After leaving the army in 1979, by chance, Shao Tsun-Han was introduced to Hsinchu by a fellow in the army and started his career in glass crafting. In addition to the development of lost wax casting, grinding sandblasting, and crucible blowing, he also dabbles in cross-material fields such as ceramics, painting, wood, weights, artificial flowers, metal processing, ultraviolet light bonding technology, etc.   In 1995, the Hsinchu City Government held the first International Glass Art Festival which amazed Shao Tsun-Han: foreign countries have positioned glass as an important material for artistic creation, subverting the traditional concept of making mass production by hand, which emphasizes the creator’s inner world or the surrounding environment. As a result, the creations are displayed in front of people in the form of less quantity, high-quality, and high-priced glass artworks. This exhibition shocked the glass industry that was gradually declining at that time. Being dazed by the strong contrast between the foreign and domestic creative concepts and works, Shao Tsun-Han began to try to upgrade the original glass craft to the level of glass art based on the existing technical advantages.   Recently, space art has begun to be the next stage of his creating goal. By combining the characteristics of three-dimensional and flat creation, Shao Tsun-Han is looking forward to presenting the beauty of glass to the world in another aspect.